 Genius Lyrics
|
|
The Doors – Back Door Man
|
|
A cover of blues legend Howlin Wolf’s song co-written by Willie Dixon. Back then a blues cover (especially of Howlin Wolf, Muddy Waters or anything written by Dixon) was as
|
|
Howlin' Wolf – Back Door Man
|
|
A 1961 Willie Dixon-penned ode to the cheatin' man. No matter what kind of trouble he gets into – shot, put on trial for murder, arrested – he has women ready and willing to bail
|
|
The Doors – Back door man - live version
|
|
Wha, yeah!, c'mon, yeah, yeah, c'mon, yeah / I'm a back door man, I'm a back door man / The men don't know, but the little girl understand / Hey, all you people that tryin' to
|
|
Willie Dixon – Back Door Man
|
|
I-I-I am the, the backdoor man / I-I-I am, the backdoor man / Well, the men don't know / But the little girls they understand / When everybody is-a tryin' to sleep / I'm-a
|
|
The Doors – Back Door Man [Reprise] - Live Hollywood Bowl 1968
|
|
Oh yeah babe / Yeah I'm a back door man / I'm a back door man / The men don't know / But the little girls understand / Hey, all you people that tryin' to sleep / I'm out to make it
|
|
Mashine Kid – Hombre X Samples
|
|
See all of “Hombre X” by Mashine Kid’s samples, covers, remixes, interpolations and live versions
|
|
Clipse – Door Man
|
|
“Door Man” includes some impactful verses enlivened by the detainment of the duo’s manager and friend, Anthony Gonzalez on medications and guns charges. The term “door man” alludes
|
|
Josh Turner – Your Man
|
|
[Pre-Chorus] / Baby lock the door and turn the lights down low / Put some music on that's soft and slow / Baby we ain't got no place to go / I hope you understand / [Chorus] / I've
|
|
The Doors (Ft. Jim Morrison) – Whiskey and Mystics and Men
|
|
The song is mostly a studio creation, the vocal parts of Morrison are the same as the ones in the bootleg Missing Links (which is entirely from the February 25th 1969 The Soft
|
|
Cammadeit (Ft. Baby Jamo) – Back Door Con Artist
|
|
[Intro: Baby Jamo] / Know my man Giz fishin' in that free car tryna catch up get up with our man you hear me? / Yo Cam, turn me up / Hahaha / Know me and SD thuggin' trappin
|
|
The Doors – Roadhouse talking blues - 11/4/69, take 6
|
|
Yeah, a keep your eyes on the road your hands upon the wheel / Keep your eyes on the road your hands upon the wheel / Yeah, we're goin' to the roadhouse we're gonna have a real, a
|
|
The Doors – Talking Blues
|
|
Yeah / How me and my baby walking down the street / We's being friendly to person we meet / You know that / Yeah / Say "Hi neighbor" / "How are you doing" / Hey Dylan, how are you
|
|
|
The Doors – Roadhouse Talking Blues 11/5/69 Take 1
|
|
Yeah, keep your eyes on the road, your hands upon the wheel / Keep your eyes on the road, your hands upon the wheel / Yeah, we're goin' to the Roadhouse / We're gonna have a real
|
|
|
The Doors – The End
|
|
“The End” served as the finale for many of The Doors' most notable concerts. The lyrics are a combination of different variations sung during jam-style performances over several
|
|
21 Savage – all of me
|
|
In “all of me,” backed by a soulful Rose Royce sample, 21 Savage puts forth his signature laid-back flow, addressing events that shaped him as a person.
Savage delves into his
|
|
|
The Doors – Touch Me [Take 3]
|
|
Come on, come on, come on, come on / Now touch me, baby / Can't you see that I am not afraid? / What was that promise that you made? / Why won't you tell me what she said? / What
|
|
|
The Doors – Not to touch the earth - take 2
|
|
Not to touch the earth, not to see the sun / Nothing left to do but / Run, run, run / Let's run, let's run / House upon the hill, moon is lying still / Shadows of the trees
|
|
|
The Doors – Money beats soul - 11/5/69
|
|
Yeah, I got something to tell you 'bout your soul / Your soul ain't worth shit, mama / You know how much your soul's worth? / Your soul's worth about as much as you can get on Wall
|
|
|
The Doors – People Are Strange (False Starts & Dialogue) (Bonus)
|
|
People are strange when you're a stranger / Faces look ugly when you're alone / Women seem wicked when you're unwanted / Streets are uneven when you're down / When you're strange
|
|
|
The Doors – Carol
|
|
Oh, Carol! / Don't let him steal your heart away / Yeah I've got to love you darling / If it takes me all night and day / Beat cool down / Over cool down / I can hear that highway
|
|
Led Zeppelin – Whole Lotta Love
|
|
“Whole Lotta Love” is Led Zeppelin’s most sexually explicit song — “love” can be replaced by both “sex” and “penis” in different sections. The track was largely inspired by Willie
|
|
The Doors – End of the Night
|
|
“End of the Night” is the B-side to The Doors' first single, January 1967’s “Break On Through (To the Other Side).”
The title of the song comes from Louis-Ferdinand Céline’s 1932
|
|
|
The Doors – Not To Touch The Earth (Dialogue) (Bonus)
|
|
[Paul A. Rothchild] / Okay, Ray. Take / [Jim Morrison] / All has been psychadelicized / Time / [Unkown] / Time (laughing) / [Jim Morrison] / I told him to go up there / Not with
|
|
|
The Doors – Moonlight Drive [Version 2]
|
|
Let's swim to the moon / Uh-huh / Let's climb thru the tide / Penetrate the evenin' that the city sleeps to hide / Let's swim out tonight, love / It's our turn to try / Parked
|
|
|
The Doors – I Looked at You
|
|
“I Looked At You” is a track describing the speed of life and how Jim’s psychedelics and trips took him forward to a place where he can’t turn back.
The song slowly begins to
|
|
|
The Doors – Queen Of The Highway (Jazz Version) (Bonus)
|
|
She was a princess, Queen of the highway / Sign on the road said, "Take us to Madre" / No one could save her, save the blind tiger / He was a monster, black dressed in leather
|
|
Glokk40Spaz – Be A Man
|
|
[Intro] / Hmm, hmm, hmm, hmm, huh, huh / You can have her, I don't need her / I got me and I got these Roxies / Back door, kick shit, wasabi (Chapo) / Midnight Blue Maserati / Boy
|
|
|
The Doors – Peace Frog (False Starts & Dialogue) (Bonus)
|
|
There's blood in the streets, it's up to my ankles / (She came) / There's blood on the streets, it's up to my knee / (She came) / Blood on the streets, in the town of Chicago / (
|
|
II Tru – Back Door
|
|
(Chorus) / Release these chains on the down low, risin' / II Tru, backdoor for y'all foes / Release these chains from my body parts / II Tru, backdoor for y'all foes / Release
|
|
Genesis – The Chamber of 32 Doors
|
|
[Verse 1] / At the top of the stairs, there's hundreds of people / Running around to all the doors / They try to find, find themselves an audience / Their deductions need applause
|
|
|
The Doors – Soul Kitchen
|
|
This song is about Jim Morrison’s love for the soul food serving diner, Olivia’s on Venice Beach. It is an ode to Morrison’s drunken nights and early mornings. It was featured on
|
|
The Doors – The Soft Parade
|
|
When I was back there in seminary school / There was a person there / Who put forth the proposition / That you can petition the Lord with prayer / Petition the Lord with prayer
|
|
|
The Doors – Alabama Song (Whisky Bar)
|
|
This is a cover of a German poem written by Berthold Brecht and published in 1927 in his collection Hauptpostille. Kurt Weill adapted it in 1929 for their opera contribution
|
